White Seamless Tutorial :: Part 5 :: Wrap up, Questions, & Contest!
This is the final part in the white seamless tutorial. If you are just joining this blog, you can find parts one through four listed here. I wanted to end this tutorial with just a few more thoughts on lighting your subject so that you have a few more tricks in the bag.
We have talked about those bi-fold doors on the side of the set to block the background (BG) lights from illuminating the subject (see part 1). You can also use those as big reflectors if you paint them white. Mine are painted white on one side and I keep the natural wood color on the other side so that they can at times be used as a background. Take a look at these two images. These were shot using only the BG lights.
To bring light around to the front, I positioned the BG lights in such a way that they were not illuminating the subject. I pulled one of the bi-fold doors and a tall piece of foamcore around to the front of Stephanie to act as large reflectors. Those picked up the light coming off of the BG and reflected it back on to the subject. To do this well, you have to bring those reflectors in really close to your subject. They usually end up in my shot but they are an easy thing to remove.
Still shot the image vertically as you can see so that I can maximize the size of my subject on my image sensor. I simply made a marquee selection around the reflectors, made sure my BG swatch in Photoshop was set to white, and hit the delete key. Whatever is deleted goes to your BG swatch color. Easy peesy! Why did I use one bi-fold door and one foamcore? Um, it is just what I had on hand at that moment. You can use one or the other or whatever. I just want you to be thinking about that background being a large light source that you can then grab some of that light coming off of it and reflect it somewhere else if you need to do so.
Here is another shot using the same technique. I like the light that it produces and I like the catchlights.
And, as always, leave a little room around an edge for alternate crops.
But wait! There’s more! My friend I shoot weddings with, Marc Climie, built two 4′x8′ frames out of 1×2′s and covered them with ripstop nylon. They hang out in the studio and for the following shot I used one 4×8 panel on each side of the frame as main lights on the subject. I shot a light through each one. So that would be four lights. Two on the subject. Two on the background.
I’ve also used this exact same lighting setup for larger product work…
For the image above, nailing the ratio of exposure on the subject to the background was critical because I needed to retain some amount of density in the clear acrylic. It took some time getting that set but once it was set, I could move other displays in and out of the set and keep the same lighting and exposure. Also note that it is great shooting on white because you can shoot mulitple angles of the same thing and place them on to one photo quickly and easily. For this type of application set your camera on a tripod so that your angle and perspective to the subject remains constant.
Speaking of product, all of this stuff I’ve been going on and on and on about lately works for just about anything…
You can take a sheet of that tile board and put it on top of a table for small product work. I have shot hundreds of small products using this set up. As always, I fill the frame and the expand as needed. For the image above I just used the BG lights.
I’m a big fan of grid spots and I use them a lot when shooting on white. I also include elements of my set into my photos as well…
For the image above I used a 10 degree grid to light my brother’s face and I composed my frame to include elements of the set. If you or your client do not want these elements all you have to do is set your BG swatch color to white in Photoshop and select and delete areas or use the eraser tool to remove them.
Again, I’m a fan of the grid. This is legendary hip hop king, 8 Ball, from Memphis…
Well, that is pretty much it. That is just about everything I do with a roll of white seamless paper. It seems as though this has been good for many of you. Thank you for taking the time to go through it.
I am now open to questions! Leave them as a comment here. I will also go through the other seamless posts and pull out questions I haven’t had a chance to reply to yet. I’ll let the questions come in for a week or so and then I’ll make a post with all of them together with the answers.
Also… Let’s have some fun with this. Go out and start shooting and upload your photos to the Seamless & Cyc group I have started on Flickr. Post as many images as you would like that combine the use of a subject(s) and a white wall, a roll of white seamless, or a cyc wall. I’m going to choose a 1st, 2nd, and 3rd place winner on August 4th, 2008. Here is what I’m going to put in the prize chest.
3rd Place – A copy of the OneLight DVD coming out soon.
2 Honorable Mentions will receive a year pro account on Flickr.
(Uh… Ahem… if any of you manufactures or service providers have anything you want to throw in the prize chest just let me know! ( zack @ ZackArias.com )
I will place an image in the Seamless & Cyc pool on August 3rd declaring the contest is over. I’m going to choose the winners. I’m the judge, jury, and executioner of this since I’m filling the prize chest out of my own pocket. You can enter as many photographs as you want. If I feel something has been entered and it doesn’t belong, I’ll remove it. I will announce the winners August 4th here on the blog.
So, hit me with questions about all of this in the comments here and I’ll collect them for a week or two and reply to all of them in one post. Thanks for stopping by! Drop suggestions for other tutorials in the comments as well. This has been a lot of fun for me… and more time consuming than I thought it would be… but fun all the same!