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We are a week away from the creativeLIVE studio class!
I typically do not like promoting my stuff over and over and over but I am honestly and truly excited about this class and I love the fact that this is being set up so you can see it live… for free.
We are still working on the final schedule for next Friday, Saturday, and Sunday. Look for that to be posted on the blog sometime this weekend. I’m in the middle of a Photo 101 right now and Meg is having ear surgery as I type, so we have just a few things on our plate but save the date for next weekend. It’s going to be awesome.
If you can’t attend the class live you can pre-purchase the class for download for an amazing $79. It will be $129 after the class. A blog reader here felt that was a bit like a used car salesman pitch and I get that. In fact I get it so much I made the video above! But I will tell you this… I am putting everything I have into this and I promise it will be worth it. Even at $129 it’s going to be over delivered and under priced. This isn’t going to be a fluff and no stuff kind of workshop. We will be working with small flashes, studio strobes, several kinds of modifiers, and we will be working with individuals and groups. We are also going to have a lot of time set aside for Q&A during the live session. Not just five minutes here and there.
See all of the winners and some honorable mentions after the jump…
As with all contests this was tough. I was suddenly feeling like I needed to double the size of the class because there were no less than twelve of you could have easily won this a seat in the contest. We went back and forth, watched some videos several times. Half of us would vote one way and half the other. Coins were flipped. Such is the way of contests!
So… Congrats to the winners. We need to hear from you today and confirm with us that you can be in Seattle June 11 – 13th. If you are one of the winners please email Dan – dan @ usedfilm . com
Thanks to everyone for your entries! Here some honorable mentions you have to see!!!
As we lead up to the CreativeLIVE studio class next month in Seattle, we are looking for six of you to join us live in the audience… for free! Now, don’t get your hopes up thinking that means airfare and accommodations but that does mean you can to be in attendance during the class. We are wanting the studio audience to be the proxy for the online audience. You may be asked to watch a twitter feed during Q&A. You may be asked to be a subject for an impromptu portrait. We promise not to put you into any compromising situations.
We have six spots to fill and this is how you could snag one of those spots…
• Shoot a 60 second video of yourself. Introduce us to who you are, where you’re from, what kind of photography interests you and then ask a question that you would like to see answered during this class.
• Upload it to the web and send that link, via twitter, to @zarias with a hashtag of #creativeLIVE.
• We will watch all of the videos and select six of you to be part of the audience. We will make that selection by May 31st.
• Understand that you will be taped and broadcast all around the Internets.
• You will need to be available from Friday evening June 11th until Sunday evening June 13th.
You can shoot these clips with whatever kind of camera you want! Be creative and keep it short and sweet!
I have not been this excited about something in quite some time. Whether you are in the live audience or you are watching online I promise you that I’m going to pour everything I have into it! It’s going to be a lot of fun.
We are still taking questions that you would like to see answered in the class. Keep them coming in the comment section!
PS – Big thanks to Syl Arena for making a cameo! If you are in Atlanta, come by this Friday (5/20/10) for a mixer with Syl at my studio. 7:30pm till. 533 W. Howard Ave Decatur. Syl is in town for his Speedliting tour this weekend. Check it out.
We are one month away from our weekend studio class that I will be teaching for CreativeLive. The class will be broadcast out of Seattle June 11th – 13th. If you are unfamiliar with CreativeLive let me give you the bullet points…
• They bring live teaching to you for free. Yes. Free. If you can tune in while the class is going live then you can kick back and watch it for free.
• This is a highly interactive process. People are monitoring the CreativeLive chat room and twitter feed during the class and fielding your questions to the instructor during the class. If you have a question you can ask it. I’ll be scheduling blocks of times during the weekend I’m teaching just to sit down and get through as many questions as I can in addition to the ones that will be fielded during the instruction time. I love the Internets. Don’t you?
• If you are unable to sit through an entire class, series, or the like then you can purchase that class anytime afterwards. The downloads pay for the bandwidth and production to bring it live. It’s a fantastic model for education that really doesn’t have an equal in our industry right now and I’m honored to have been asked to come on board as this thing launches.
• You can “enroll” for a class or just show up on their site the day of the class and watch it. The enroll feature is the best since you’ll get that reminder email before your class goes live.
• For those of you beyond the continental United States who don’t want to wake up at 3am to watch a free class the good folks at CreativeLive have come up with a solution for you. They will replay that day’s class overnight! Are you kidding me? That’s very awesome of them.
Check out some of the videos from Vincent Laforet’s HDDSLR class. Hours upon hours of discussion and teaching over the course of three days and you can download the whole dang thing for $129. I paid $400 to go to one of his workshops here in Atlanta and that was for one day and I can’t play it back. I downloaded this one right away. If you are wondering what the “edited videos coming in X days” means; if you download the video now you are getting the straight RAW feed that was the same as the live course. The edited versions do not cut the content. CreativeLive just goes in and cleans up the video and might make a change in cuts from one camera to another. The edited video has a bit more polish but all of the content as the live feed.
I’m doing a studio class over a weekend in June. It will start with an intro on Friday night and then run through Sunday. The final schedule is still being drafted but what I need right now from all of you is this…
What would you like to see in a studio class?
I’ve got 2.5 days to pack in as much as I can so hit me in the comments of specific or broad topics you want to see happen live. I have a basic outline of things I know I’m going to cover but I want to make sure I’m hitting points you all would like to see.
Lastly, we have six seats to fill with people during the class. We have a little idea for a contest for folks to win a seat to be there. I’ll announce that in a few days. Do remember that this is going down in Seattle. You don’t have to live there but travel will be on your dime.
I’m not the type to talk much about my workshops but a number of folks have expressed interest in the three day Photo 101 as to what that actually look likes if you were to attend one. Someone from this weekend’s workshop asked why I didn’t blog about my workshops. I said I didn’t want to seem like I’m trying to sell them all the time so I just keep quiet about it. They said they would appreciate seeing something about the workshops and a blog post would have been nice to read before coming to one. So…
First, what is the Photo 101? It is an intense three day workshop I’ve been developing for a year that is aimed at the hobbyist / amateur photographer that wants to take photography from a hobby or interest and move it into a job. It’s limited to 10 students per workshop.
Friday :: 9:00 am – 6:00 pm :: The first day of the workshop is lecture, lecture, lecture. Everything about aperture, shutter speed, metering modes, working with available light, and optimum camera settings for different photographic applications like portraits vs. events. Just before lunch I break the students up into pairs and have them photograph each other. We then critique those images at the end of the day. These images are shot at the beginning so I can judge the level of everyone involved before the class gets into the meat of applying the lecture material. We also spend a good deal of time talking about lens selection. Choosing the right lens for the picture you want to make is one of the most important things you do as a photographer. If you don’t know your lenses and know what they do you are shooting blind.
The goal of all of this information is two fold. One is to understand the foundation of photography as it applies to shooting photos for clients and two; the importance of knowing the fundamentals and rules to get started with as you walk on to a shoot. Yes we want to be super creative photographers that push boundaries but if you start out never knowing those boundaries then you never have a rock solid starting point to build from. Starting out you have to be able to nail the fundamentals. They have to be second nature to you. You want things like reciprocal exposures, camera features and settings, and foundational lighting principles to be hardwired into your brain stem along with heart beats and breathing patterns. If you don’t have the foundation you are going to have a hell of a time trying to build something of value on… nothing. Well, that’s my philosophy about it.
Saturday :: 9:30 am – 7:00 pm :: This is the day of shooting, shooting, shooting. We started applying information from the previous day’s lecture to working with actual “off the street” clients. We started with simple headshots. Nothing revolutionary here but the goal is you should be able to fall out of bed and nail a headshot. We starteded with window light only, moved to window light plus reflectors, and then moved outdoors to use scrims and reflectors. We spent the first half of the day working with 5 clients to nail a headshot in and around our studio with the emphasis being you don’t have to have a “studio”. Any old window light will do.
Since your first foray into professional photography most likely will include portraits that is what we concentrate on. Note that very little has been done to the photos in this post. Maybe a hair of color correction, a slight tweak of contrast, a bit of crop, and an occasional B&W conversion. Light is our photoshop.
After lunch it was time to start with the headshot and then find out where and how to break the rules and why you would want to do that and when you most definitely do NOT want to break the rules. For the rest of the afternoon and into the evening we worked with three models and two “clients” who were fellow photographers but easily opened up in front of the camera. Our amazing sexy location for this? My yard. We all descended on my yard for the afternoon to create portraits. The exercise was learning to shoot in any location. Please note that I do not have a manicured English garden for a backyard. I still have a dead old Christmas tree thrown in the bushes because the city never picked it up. One of those back yards.
For the first part of the day we had very clearly defined constraints we were trying to work under and then it was time to throw some of those constraints out the window and remind ourselves that our job is supposed to be fun. We can nail the safe or the expected or the needed shot but how can we go beyond that? Can we shoot an out of focus portrait? The answer is yes we can. I love this shot by Jessica Cook.
Here are some more from the yard… Find a simple background and get all up in it…
Light the eyes. Light the eyes. Light the eyes!
This is Meg’s recording studio in the backyard. We call her Loretta.
I love this image that Lisa created in the front yard of Esther laying in the grass.
Hawke Danger gets in on the action…
I don’t get to shoot a whole lot at workshops because that isn’t the goal. The goal is to have students shoot as much as possible. I don’t care for those gang bang shoots where fourteen million shutters are clicking 8 inches apart from each other. I would rather folks get a more hands on approach to building images with me roaming around giving feedback and answering questions. I will piggy back off of you though from time to time. Here is one I squeaked out as Terry was setting up her own shot.
I really love these next two…
I love ‘em all really. It was really, really, really hard to edit for this blog post. I just did it by gut reaction to photos and there are about 15 others that I’m not posting because the Internets would blow up with this many pictures in one blog post.
After a full day of shooting we headed down to the beer garden at the Marlay House for dinner, beer, conversation, and more beer. It was a gorgeous evening of beer and photography and beer.
Sunday :: 10:00 am – 1:00 am Monday morning :: Yes. We go until we go on the last day. We started the third day off with editing the work that was shot on Saturday and going through post production and archiving and file management and all of that fun stuff. We went next door for lunch and then had two models come in for a few hours in the afternoon. I split the group of photographers into two groups and gave them assignments. THEN… get this. I taped their screens for part of the shooting time so they couldn’t chimp. They couldn’t see if they got the exposure right. They couldn’t see what the photo was turning out like. They had to, get this… think it through and you know what? When you don’t see what you are shooting it is possible to still create great work! Like this…
After the shooting session we got into business and marketing and working ideas as you get started in this industry. We ate dinner, we kicked back a few beers, and we critiqued the images from the afternoon. It was a long, long, long day. You can expect 35 or more hours of workshop time in a three day period.
I’m really proud of this group. I mean, I’m proud of all the photo 101′s so far but as I get this class tweaked and focused I’m really glad to see the kind of work folks can produce after a relatively short amount of instruction time. You should see their images from the first assignment on day one! ;)
We have some spots left for November and we *may* be announcing one in June but the folks on the waiting list have first dibs on that. It has not been listed yet. Details will be on the OneLight Workshop site if we open that date. Note that for now these Photo 101 workshops will only be in Atlanta and will always run Friday – Sunday.
So here you go Jessica! A blog post about the Photo 101!
I’m pretty stoked about a new project that Chase Jarvis has been working on for the past year. Chase has teamed up with the good folks at CreativeTechs to create a portal called CreativeLIVE. CreativeLIVE is bringing free education to us!
Here’s the breakdown of how it works…
You check out the schedule on the CreativeLIVE web site. You see a class you want to take and simply log on to http://www.creativeLIVE.com/live when that class is taking place and you get it for free. There aren’t just photography classes though. You’ll be seeing more classes about other creative and technical disciplines as well. Painting, video, programing, etc. The classes will be available for download after the class has completed. There will be a charge for the download. That’s how they are going to be able to offset the cost of doing it live for free.
I’m going to be teaching a studio lighting class. White seamless and beyond. Models, bands, etc. In order to maximize this for as many people as possible to see it live and for free I will be teaching the class over a weekend. Probably about six hours of live training with live Q&A and critique. I’ll be announcing the date here, twitter, and FB once we finalize the date.
I don’t do very well speaking straight to a camera so I’ll be doing some sort of twitter something or another looking for five people to come to the class, in person, for free. I do better if I have some real people to interact with but I’ll make damn sure that the viewer’s perspective isn’t just one of a camera on sticks in the back of a standard workshop. More details on that once we nail down the date.
Since this is a new venture they would love to hear from y’all about what kind of classes you would like to see offered. If you have some ideas drop them in the comment box here. Who else would you like to see teach? Let me know and I’ll pass it all along to the folks running this venture.
I will be giving the keynote speech at PhotoCamp Utah this weekend. You will be able to find the webcast at uStream on March 20th at 3:30pm Utah time. I think that’s mountain time isn’t it? Pretty sure about that. I’ll twitter it and stuff.
I’m really grateful to everyone who has been involved in getting this together and I’m humbled and honored to be a part of it. Personal thanks to Jeremy Hall for all of his work getting me out there.
In other news. Look at that photo of me. I’m such a dork.
Meg, Hawke, Dan, Sherri, and I have had an amazing week here in Dubai being part of the teaching crew at Gulf Photo Plus. This is my second year teaching at GPP. Last year, being the new guy, I had to take the group photo of all the amazing photographers that teach at this event. This year Mohamed Somji, the organizer of GPP, decided it would be fun to have a shootout between David Hobby, Joey Lawrence, and myself.
The rules were simple. We would be given a subject to photograph in the main auditorium in front of a live crowd. We would have twenty minutes each to shoot tethered & edit a photo while our images were projected on a large screen. We all would have the same subject to photograph and we were not allowed to see what the other was doing. Hobby went first. I was second and Joey brought it up from behind. We were also told there might be a surprise or two.
The surprise was A) we would have two subjects instead of one and B) Joe McNally would have a microphone and be giving live commentary as we were setting up a shot and shooting. Two people? David and I asked the same question… “Do they both have to be in the photo at the same time?”
So the photo above is what I came up with. It was a great teaching exercise if anything and we all had a fun time with it. Yes… there were video cameras and it will be online as soon as we have links to it. David and Joey will post their photos at some point I’m sure. Joey… well he threw us all a curve ball. Lastly… an official winner was never named so… IMHO the best shot was
Six days of non-stop teaching and the stress of having to perform to a packed auditorium has me worn out. I have two days of personal shooting to do now. Can’t wait to share more images from this trip. I have had such an amazing time here in Dubai. I love this city. Usedfilm Dubai? I don’t hate the sound of that.
I take pictures. Meg makes music. I go out and take my pictures. Meg goes out and plays her music. What if we combined them? And what if we brought the whole family? And made it a road trip with workshops and concerts?
That is what we are doing this summer! The OneLight tour starts this June and we are hitting the road for three weeks. From Asheville to Nashville with photography and music all along the way.
You know those mixers we like to throw before a OneLight? Well Meg is playing our mixers this summer! We are really looking forward to it. We hope to meet many of you along the way. Mixers, BTW, are open to the public!
To make things come together and have a successful tour, our City Coordinator, Kara Pecknold, needs to find city representatives for each city we plan to visit:
June 29/30 Asheville, NC July 1/2 Washington, DC July 5 Pittsburgh, PA July 6/7 Cincinnati, OH July 8/9 Indianapolis, IN July 11/12 Chicago, IL (city rep already found) July 13/14 St Louis, MO July 15/16 Nashville, TN
If you want to work with us on this unique OneLight experience, contact Kara directly and she can provide you with more information about all it entails. kara [at] olivelifegroup [dot] com.
For more information about the dates of the workshops visit OneLightWorkshop.com.
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