Archive for 'Editorial Photography':
I have a lot of images I want to share here on the blog and very little time to make specific blog posts about each shoot. This is a selection of some of the things I’ve been shooting. I had three more assignments with Nylon Magazine since shooting Living Things for them. For the record, they prefer natural light as opposed to lit photos.
Dallas Austin ::
Vistoso Bosses ::
Animation guru Craig Hartin for Relevant Magazine ::
Atlanta music legend Butch Walker :: His band :: His BMW
My friends Mike & Priya got hitched ::
Been shootin’ a lot of headshots like these of local actress Brenda Weitzer. ::
Mark Adams of LaCour Photo came in to speak to the three day Photo 101 workshop I held a week before last :: Uh-Maze-ing time to be had. Thanks to you fine folks who traveled in for the workshop!
Here are some images from that workshop. We set up some chatoic real world situations that beginning photographers may run into. Like… Shooting a family of seven at 10am in the front yard.
And how to take on headshots without a flash and without a studio. It’s an exercise in finding light for portraits of any kind really.
Shot some pictures for local musician Jeremy Agers ::
Had a great OneLight workshop after the Photo 101 with our friends Jonathan Baker and Julia as our clients to photograph ::
Oh man… I had Phive Starr in for a shoot. This production duo is un-freaking-believable. Super stoked to work with them. ::
I did a OneLight workshop for a bunch of google folks at the Googleplex. I can’t even begin to describe what an amazing place that is filled with amazing people who love their jobs. Here’s a few from that workshop. ::
Lastly, another one from my shoot with Stephanie Lawrence a few months ago ::
I have yet to catch my breath and we leave for Australia tomorrow. That flight is going to suck but the experience there is going to make up for it I’m sure. Sorry for sucking up your bandwidth with this post! I just had to purge.
PS – While I’m gone somebody keep the photography campfire lit!*
*Twitter ref. this week.
I have a lot of blog posts to make with recent work and very little time to make them. These images are from my shoot with Living Things. This was an assignment for Nylon Magazine. I’ve completed four assignments for Nylon and as they hit the shelves I’ll blog about them. The assignment was to shoot the band, individuals, and cover their show here in Atlanta. I haven’t worked with a better group of artists than these four guys.
I put out a question on Twitter during this assignment asking if I should take a 5d with a 90mm lens or a D3 with a 24mm lens. The D3 combo won. I finished the assignment with one camera and one lens.
Living Things are an effing amazing live band. If you ever have the chance to see them live don’t pass it up.
I shot typical live shots like this…
But… I wanted something different than straight forward live shots. Being I was shooting with the D3 I put the camera in multiple exposure mode and lit a fire of creativity under my arse. I’m now experimenting more with multiple exposure. Yes, you can shoot single frames and then composite them together in PhotoChop, but sometimes you need to come up with something different while not depending on software to do it later.
Shooting a live show with multiple exposures is maddening because you can’t be exactly sure what you are going to get but that is the payoff. Sometimes it surprises you in a good way.
Do any of you experiment with in camera multiple exposure?
I’m currently in San Francisco where I will be giving a presentation to the mighty fine group of individuals that have brought Twitter to all of us! I’m going to be talking about the importance of social media in my life and how it has helped the photography industry build community. Both virtual and real. Twitter is a key to my marketing plans over the next year but beyond that, it keeps me in touch with so many people that I would normally fall out of touch with due to time or distance. Not to mention how many new friends I have thanks to social networking.
So… They say that we are connected to everyone on this planet by 6 degrees of separation. I want to test this by putting a call out to the 4,700+ followers on Twitter and 4,300+ friends on FaceBook surely there is a way for me to be able to photograph two prolific twitter account holders.
1 – I want to shoot a portrait of Coldplay.
2 – I want to hang out for a day and shoot Diddy. I’m locked in Diddy! DM me!
What does this mean? Someone out there knows someone who knows someone who can connect me to Coldplay or to Diddy. I want to shoot portraits and I will travel for this project at my own expense. If Tom reads this and forwards it to Sally who knows Jeff in NYC who can connect Tom over to Bill who can get back to me with a time and place I could go and photograph Coldplay then this project can work. I’m still working on my list of folks on Twitter who I want to photograph but I’ll start simple.
Will you help me out with this? Retweet my tweets? Let’s test six degrees.
My expectations for this project is it will be a complete bust… But I just have to try it. Who knows who you know?
Off to Twitter HQ!
#1 – 30º grid on Brent. Lights shot through sticks to create the pattern on the background. Brent Lundy was in town this week and came in for a full day shoot. Erik and I went location scouting Tuesday afternoon and were wishing we had brought coats. We were cussing at the heat the next day. Welcome to Atlanta. I twittered some of the locations that day and a lot of folks responded to the the “rust bucket” so I’ve included a few extras of that spot.
#2 #3 #4
More after the jump… Plus a tip on finding a cool location vehicle. (more…)
My friends Iain (upper right hand photo) and Jamie (lower left hand photo) came in this week for some images they need for their company Ticket Alternative. These guys are giving folks like Ticket Master a run for their over charged convenience fee money!
Iain is one of the first guys I met when I entered the Atlanta music scene as a full time working photographer. We have collaborated on a number of projects since then and I had the pleasure of shooting his wedding a few years ago.
One day I was going by our local rental shop to pick up a lens and I noticed these two old dead trees behind their building. I’m always looking for interesting locations especially when they don’t look like anything you would normally find in the middle of a fairly large city. This is from a shoot I did with Surveil. Shot with an Alien Bee B1600 and a Westcott Apollo 50″ softbox.
I’m going back to just shoot the trees… provided they are still standing after this week’s wind storm.
On the next to the last day of Gulf Photo Plus I was informed by GPP organizer, Mohamed Somji, that I had the “privilege” of shooting the group shot of all the GPP staff and photographers. I would be given 15 minutes to set up and execute the shot with 25 to 40 people.I have done countless group shots in my young career but never one that had folks like Joe McNally, Drew Gardner, David Hobby, Chase Jarvis, David Nightingale, and on and on and on. No pressure.
Last year David Hobby shot the group photo. He did it available light and had the photo posted on the web in 30 minutes. He was smart. David kept it simple. I however had could not leave “well enough” alone. I wanted to make a picture that was a tribute to some of the photographers in the photo and I wanted to keep with the OneLight theme so I decided I would get everyone in the auditorium and light them individually with one light and then comp them together in post. I have “painted with strobes” a few times in my life but never on this scale. It isn’t the most technically brilliant photograph I’ve ever made in my life but I had fun doing it. Everyone in the room had fun bustin’ my chops for taking this on. Hobby had a GRAND time playing with his wizard in his pocket while I was setting this up too.
How I did it = Pretty simple
• I set my camera up on a tripod so that each shot would align in the final image to be created.
• I had my studio manager, Erik, walk around the room with a Nikon SB-25 mounted on a tripod. On the SB I placed a Lightsphere that I have painted black. I call it my Darksphere. I then bunjee’d a 20º grid on the front of that. I like to have my grids placed off of the flash tube to get a cleaner circle of light.
• I exposed somewhere around 5.6 at 250th of a second to kill the ambient light in the room. I just needed the light on each person. There are 29 people in the final shot and I used 28 frames to capture them all. Chase and his wife, Kate, were lit together for one shot.
• I tried a quick multiple exposure shot on the back of the D3 to see if my idea was going to work. In this you can see Erik holding the light on the stick.
This is what each individual shot looked like…
This is what the group shot looks like without the auditorium showing through…
Here is the auditorium. I would use this image to mask parts of the ambient back into the group shot.
Once the people were together I could then bring in the image above and again, using layer masking, I painted in just enough of the ambient light to mix in with the lit shots. The final shot was 34 layers tall. 28 layers of people and 6 layers of ambient light and details like the the strobe painting on the back wall panels. Here it is again…
So…To Joe McNally – I know you eat 30 Speedlights for breakfast every morning so excuse me while I meagerly try to pull it off with one.
To David Hobby – My light rig for this shot not only has a bunjee cord on it, but it has a LightSphere that I spray painted black to keep with the DIY / Modify philosophy you preach so well.
To David Nightingale – 30+ exposures to make one final image! How do you do it so well? You can see how much of a hack I am.
To Drew Gardner – If only I had a water buffalo and 300 gallons of strawberry jam then you too would have a tribute here. Maybe next year I’ll shoot it on a Phase One. Oh wait! I don’t have to shoot it next year! Some other light monkey will have to do it!
To Chase Jarvis – You talk about pushing yourself. Well… I pushed myself on this one!
I could have done this or that or the other to make this shot better but I had no time to really think it through. It was a good exercise for me though. I’m glad I did it this way.
I have one more Dubai post to make this week and then we are back to regularly scheduled blogramming.
Above :: From my first OneLight here in Dubai.
Above :: Joe McNally in old Satwa
Above :: I’m being interviewed for an Arab television station.
Above :: A friendly TV repairman in Satwa.
I’m having an amazing time here at Gulf Photo Plus. The Internet sucks here in our building. I can get online a few minutes a day right now. More to come!
The image above states the exact feeling one has when shooting at this old prison in East Atlanta.
Here are some more images I shot this week of Julia. She needed one or two new pieces for her portfolio and I needed to run the CaNikon 5z Marc Too (as I call it) through the paces. Overall I’m really happy with this camera. For this shoot I used the 24-70/2.8L and the 90 2.8 Tilt Shift. I have to be very, very, very careful with the T/S lens because if I am not very, very, very careful I will use it WAY too much. The reason I don’t own a fisheye lens is because I would use it all the time. I fear I may do that with the T/S. It’s like instant creativity! My initial thoughts on the 5d after the images.
In addition to the stills, I shot video as well. I don’t have the time right now to get the editing done on that but I hope to cut a short clip together soon.
Things I love about the 5d vs. the D3 I normally Shoot :: • Color and Contrast straight out of the camera. • A remarkable skin tone quality when shooting natural light. • HD video
Things I don’t like about the 5d vs. the D3 :: • The AF system sucks in low light situations. Every Nikon I have ever owned from the D100 to the D3 can lock focus faster and more accurately than the 5d does in low light levels. • Nikon still pwns Canon at ISO 3200 and up. • It’s slow as Christmas compared to the shooting speed and buffer of the D3. • The ergonomics. The 5d feels like a brick in my hands even with the grip. The D3 feels like a glove.
And yes, I’m aware that I’m comparing a mid level Canon to the top of the food chain Nikon.
The number one reason I have this 5d is for the video as I’ve stated before, but I also love that there is a specific quality to the images this camera produces that I find other cameras do not have. Back in the days of film you would choose one film over another based on the characteristics of that film and the type of color, contrast, and quality that you desired for the shoot you were doing. Since we can’t simply change sensors in our camera bodies like we could change film, this particular time in digital photography requires us to change the entire body. In the studio the cameras are nearly identical.
It is in the available light photography that I find the 5d to perform remarkably different. Skin tones have a smoother quality to them akin to something with warm butter all over it. The Nikon can be a little too cool and too sharp for my liking. You can spend time in post trying to replicate one look or the other but when you study enough images online and you KNOW an image was shot with a 5d without looking at META data then you know the camera has something special about it.
The same could be said for my D70. I could do things with that camera in post production that I have yet to fully replicate with any other digital camera I have owned. The camera body is now the film base and you choose the one you want for the look you desire. That’s why the 5d is going to have a permanent spot in my bag in addition to the video capabilities.
Testing the CaNikon 5z Marc Too in the studio today. It stands up really well against the D3 in the studio. For the first card of the day I find the images to need less color correction than the D3. Hmmmm. Off to lunch then more shooting.
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